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TellZim News > Blog > Uncategorized > Rediscovering the past: Tangible and intangible heritage
Uncategorized

Rediscovering the past: Tangible and intangible heritage

TellZimNews
Last updated: July 16, 2021 2:09 am
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Elizabeth Duve Dziva
Cultural Heritage allows us to have a feel of the past
through its tangible and intangible aspects. As a matter of fact, this
generation is undoubtedly benefiting from cultural heritage hence the necessity
to actively participate in the veneration and perpetuation of cultural
heritage.
The very first stage of involvement is the ability to
identify and define what defines us, thus our tangible and intangible heritage.
As the word tangible suggests, these are physical things that we can touch and
they entail artifacts produced, maintained and transmitted over generations.
Such include bows, arrows, drums like the famous and controversial Ngomalungundu
(subject for another day).
Tangible heritage includes artistic creations, built
heritage such as buildings and monuments, and other physical or tangible
products of human creativity that have cultural significance. There are
approximately 200 recorded monuments in the country which the National Museums
and Monuments of Zimbabwe (NMMZ) has worked tirelessly to preserve and
conserve. Among them are Khami Ruins, located 15 miles from the Bulawayo,
Bumbusi National Monument in Hwange National Park, Ziwa National Monument in
Nyanga National Park, Great Zimbabwe and the neighbouring Mujejeje Ruins in
Masvingo, the National Heroes Acre in Harare, Matobo Rock Art, Naletale
National Monument, Dhlodhlo Ruins, Tsindi Ruins, Chamavara Rock Paintings and
Insunkamini Ruins in Gweru.
It is important to note at this juncture that tangible
aspects of heritage encompass natural features which are worthy conserving and
preserving for generations that will come after us, The National Parks and Wildlife
Management Authority of Zimbabwe (Zimparks) has a statutory mandate to preserve
that form of heritage. In Zimbabwe natural heritage includes Mosi oa Tunya,
Popoteke Gorge in Masvingo, Inyangani and Chimaninani mountains, Chinhoyi
Caves, the many national parks as well as the flora and fauna therein.
Intangible heritage
According to
United Nations Educational, Scientific, Cultural Organisation (Unesco),
intangible cultural heritage is a practice,
representation, expression, knowledge, or skill,
as well as beliefs essential to
a particular group of people and worth passing inter-generationally. Intangible
heritage entails
oral tradition which includes
language, songs, folktales,
performing arts like music, dance,
rituals, festive events, rites of passage, knowledge and practices concerning
nature and universe. Intangible heritage also includes traditional medicine,
traditional architecture, traditional craftsmanship, knowledge and skills of
pottery-making, carpentry, blacksmithing, jewelery-making and musical
instrument-making.
Controversial as it is, both cultural and natural
tangible heritage have custodians, but the million dollar question is who
guards intangible heritage? In the midst of religious chaos and the dilemmas
faced by the supposed custodians of intangible heritage who are torn between
following present day wealth-promising religious doctrines and cultural values,
intangible heritage faces possible extinction.
The sun is almost setting on most of the elders who are
well-acquainted with the information on how to safeguard the endangered heritage
aspect in question. The upcoming generation should consider utilizing the
elders. One wise man once said the richest place in the world is the graveyard,
for there lies the intelligent, wise men, once famous and rich men, men and
women who died and were buried with important knowledge and skills. The
possibility is that in decades to come, our intangible cultural heritage will
be regarded as faded glory, a once lively culture, extinct and beyond resuscitation.
All the same, there are various remedies and strategies which can be employed
to conserve and preserve intangible heritage.
Till we meet again next week
The writer is an Archeological and Cultural Heritage
practitioner. The views expressed in this article are entirely those of the
writer in her private capacity and do not necessarily represent the views of
any organisation
email:du***********@gm***.com

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